Category Archives: julia child

Happy 100th Birthday, Julia!

Mike and I shot this video of Jacques Pepin talking about Julia in his kitchen last October. As I looked at this morning, I thought, “Wow, this is a long way from covering cops in Florida.”

In 1995, I was a reporter at the Sarasota Herald-Tribune. I’d moved up to a beat gig after spending more than a year on the obit desk. At some point, after covering endless series of school board meetings, press conferences and reporting stupid, horrible crimes committed by stupid, horrible people, I started to wonder. Was this journalism thing really for me? What did I really want to write about for the rest of my life? Was it murder and politics, or perhaps something else?

My mother, the smartest woman I know, advised that answer was right in front of me. Literally. We were chatting in the cheap but cheerful apartment I rented on the edge of a half-decent neighborhood in Bradenton, Fla. I’d erected an enormous wall of shelves with concrete blocks and lumber loaded with cookbooks, food history books, and fading copies of Gourmet. “I would think you’d want to write about what you like to read, but what do I know?” she said. Of course, she knows everything. But how to set out to be a food writer?

I went to a bookstore and bought a copy of Shaw’s Guide to Cooking Schools. Inside its red jacket, I read about the most extraordinary thing ever: a food writing symposium held at The Greenbrier, a posh West Virginia spa. Back in that day, I had to actually call to ask them to send me a list of the speakers via postal mail. The packet arrived and it was thrilling. The biggest news? Julia Child would be there.

I was born in the late 1960s on a farm in Michigan. Between my parents strict rules on viewing and our inability to get any real channels like NBC, we were stuck mostly watching PBS. By the time I became conscious of the world around me, Julia was in it. I grew up watching her talk about chickens and rescuing Hollandaise. My life changed directions repeatedly as a kid. I went from a big family on a farm to a comfortable suburban home that felt like a raft on which my brothers and sister kept evacuating. My dad was diagnosed with cancer when I was eight. Three year later, I moved to Florida, where we’d had a second home. Not long afterward, he died.

The only constant in this scenario? Julia Child.

I started to watch her when I was three-years-old. She was who I turned to when I was eight and started to cook for myself in the afternoons when I came home to an empty house. I brought Mastering the Art of French Cooking to scho0l as a show-and-tell the same year, prompting one girl to call me a “weirdo.” (She would not be the last.) I threw my first dinner party cooking from that book for my high school friends at age 16. When I moved away to college in Chicago, I’d watch her, homesick for my family.

At The Greenbrier, I’d get a chance to meet her! In person! So, I ate beans and rice for nearly two months to save the money to go. I saw Julia the first night, but didn’t have the guts to talk to her. The next morning, I went into the first session a few minutes later. I quietly, breathlessly collapsed into a chair. A couple of minutes later, the side door opened and I heard a familiar voice ask, “Is this seat taken?”

It was Julia Child.

I stammered no, and she dropped her impressive physical self next to me. “That salmon at breakfast was so good, I had to stay and finish it,” she whispered conspiratorially.

She took copious notes of the morning’s session. She asked questions and made jokes. When the subject of getting kids interested in cooking came up, a male attendee with a regional cooking show told the group, ”Sometimes, I use a 12-year-old kid on my show.”

Julia’s hand went up. Without missing a beat, she deadpanned: “Really? How do you cook him?”

As we broke for lunch, she closed her notebook with a satisfied smile.  “I always love to come to this workshop. You learn so much,” Julia said. This amazed me. After all, she was Julia freakin’ Child. I assumed she knew everything there was to know about food and cooking. I politely told her so.

She laughed.  “Oh no, you can never know everything about anything, especially something you love,” she said, patting me on the knee. “Besides, I started late.”

At an evening reception, I told her the story about the short obituary and the ad for Le Cordon Bleu at my desk and my plan one day to attend her alma mater. She assured me that going to Le Cordon Bleu was the best thing she ever did in her life.

Our paths crossed again a couple of years later while I was working for Microsoft. Another group on my campus was holding a party to celebrate the release a CD-ROM featuring Julia Child, and I wrangled an invite. I had no idea that Julia would be at the party, so I was taken aback when once again, I ended up sitting right next to her. I reminded her we’d met at The Greenbrier and she nodded. She remembered our conversation. “So did you go to Le Cordon Bleu?” she asked. I didn’t have an answer, and we changed the conversation. She was curious about technology and wanted to know what I was doing. I explained I was the food and restaurants editor for Sidewalk.com, which she found intriguing. Then, she wanted me to explain why her AOL internet connection was so slow.

Julia Child died in 2004, when I was in the middle of my culinary training at Le Cordon Bleu in Paris. I never got to truly thank her for all the inspiration she gave me, and still gives me today. I think Julia Child’s popularity endures because did what we all want to do with our lives: she lived it passionately and generously, on her own terms with great conviction. If that’s not success, then I don’t know what qualifies. So, happy birthday, Julia. And thank you for everything.

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Join me for a potluck for Julia

DearieJust a heads up for all Julia Child lovers in Seattle about a cool event in August to celebrate the release of  Dearie: The Remarkable Life of Julia Child, a new biography of Julia in which we get to know the real, passionate, quirky woman behind the icon.  On August 15, Julia would have been 100 years old. University Book Store in Seattle is hosting a little party to celebrate the woman and the icon. I will be joining some local food writers to share my personal story about meeting Julia (and even show off my own Julia impression) and read from her letters. Also on hand will be some French music and of course, some cake. If you’re in Seattle, bring your favorite dish from Julia to share. Bon appetit!

If you can’t make the potluck here in town, maybe host your own? The book looks like a great read, too.

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Review: The Julia Child App

Just in time to celebrate her 100th birthday, a Seattle-based company has released an app featuring 32 recipes from the classic Mastering the Art of French Cooking, plus clips from the DVD version of “The Way to Cook,” plus other content, including excerpts from the book. It’s $2.99 from iTunes and available on the Nook, too.

A lover of all things Julia, I tried it out on the iPad 2. The simple, classy design easily navigates among the 32 recipes. Each provides an image of the finished dish, the ingredients, equipment, tips and a brief video of Julia in action. Rounding out the content is a surprising amount of text lifted directly from Mastering the Art of French Cooking, among them tips on making stock, equipping a kitchen equipment, a primer on wine and even a glossary of cooking terms. There’s also a charming piece by her longtime Knopf editor, Judith Jones, on the story behind the book.

In terms of the recipes themselves, it was a walk down memory lane of my days at Le Cordon Bleu in Paris. The recipes mirror the core curriculum of the Basic Cuisine course. Included are basic sauces such as bechamel, sauce brun and vinaigrette. Then it moves onto classics such as bouef Bourguignonblanquette de veau, poulet roti, suprêmes de volaille, and pate de canard en croûte.

The videos included are short, yet highly educational snippets from her 1989 series, “The Way to Cook,” now available on DVD. (Judith Jones served as executive producer.) Watching Julia demonstrate searing beef or whisking up a hollandaise reminded me why she was such a great teacher: she was a great explainer with an understated sense of humor who was enthusiastic about every detail of cooking. “When my mother was growing up in the wilds of northern Illinois, you couldn’t get decent lettuce except in summer,” and then it was mostly iceberg, Julia says during her vinaigrette video. Then she exhales, ”We are so lucky now!” and cheerfully showed off a variety of lettuces, including some “lovely” romaine.

While it’s handy to have a great sample of classic recipes together, the videos make this app worthwhile. It’s hard to resist her unspoken cheer of “You can do it!” My husband Mike was ready to pounce on the Vitamix to make a batch of fresh mayonnaise. Or, as Julia said it, maay-OH-naze.  

The app has some sweet touches, such as a button that lets you hear Julia say the name of the dish in French. You can hear both her pride and precision as she carefully announces “beouf bourguignon.”

From a functional standpoint, it’s straightforward, with an easy-to-navigate format. (Some users have reported on iTunes that the app runs slowly, or they had trouble with the videos. I didn’t encounter any such problems using it on the iPad 2, but didn’t try it on the iPhone or Nook.) The division of the instruction from the ingredients list requires an extra click, and the length of the recipes means a fair amount of scrolling. This isn’t a problem if you’re browsing, but might be annoying when you’ve got dirty hands and need to have to click or scroll in the middle of making a recipe.

One thing that may feel a bit “dated” to modern cooks is the casual employment of butter – lots of it. After a couple weeks at LCB, I thought nothing of using a stick of butter in a recipe. (I also gained a dozen pounds.) I’ve long since given up using copius doses of butter in my own cooking. While nothing can replace the classic butter-dense Hollandaise sauce the way Julia demonstrates, I lean toward more heart-friendly options, such as this recipe from EatingWell.com.

The bottom line: This doesn’t replace owning a copy of Mastering the Art of French Cooking, but for $2.99, it’s definitely worth it to have a mini French cooking class led by Julia on a device you can actually take shopping and then set on your kitchen counter. If you ever wanted to study at Le Cordon Bleu in Paris, but don’t have the $11,000 USD for the Basic Cuisine course, this inexpensive app offers a great primer. Of course, it also lacks the hands-on instruction from French chef and living in Paris, of course. It’s available for a limited time, so if you want it, go download it now.

If you’re vaguely interested in this app, I highly recommend the DVD collection of The Way To Cook. It’s Julia at her finest: funny, educational and highly watchable, plus it explores basics from knife skills and sauteeing, and reaches beyond French cuisine.

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Hanging out with Jacques

Sometimes, you just have those pinch-me-is-this-really-happening experiences. Such a moment happened on the first official day of the book tour just before I went to speak at one of my favorite bookstores, R.J. Julia Booksellers in Madison, Conn. As it happens, culinary icon Jacques Pepin lives nearby, and for a project on behalf of the International Association of Culinary Professionals, he invited us to the studio kitchen behind his house to film him talking about his friendship with — wait for it – Julia Child.

I had met Jacques a couple of times in passing at IACP conferences, but there we were at his kitchen talking about my personal hero and petting his cute little dog. I gave him a copy of The Kitchen Counter Cooking School and by chance, it opened up on Chapter 2, titled “What Would Julia Do?” We talked about the project and teaching, and he said, “Well, yes, that’s what she would do. She always thought of herself as a teacher. She wanted people to cook and to appreciate food. She believed in it.”

Jacques has a new book out later this month, Essential Pepin: More Than 700 All-Time Favorites from My Life in Food.  He had an advance copy, and we started to talk about author-type stuff and Mike mentioned Author Central on Amazon.com. So then, Jacques invited us into his actual house. To meet his lovely wife. To see what they were making for dinner. Mike even did some troubleshooting on his Mac! In the end, I think Jacques may have been more impressed with Mike than me. When Jacques mentioned he was going out to Seattle to do an event with Nathan Myrvold, he asked Mike if he knew him. To which Mike answered, “Well, sure. I did the first webchat that Microsoft ever did with Nathan.” Then Jacques asked Mike a bunch of technical questions.

Just as we left, Jacques asked where we planned to have dinner after the book event and we told him Bar Bouchee, an adorable French bistro near our bed and breakfast. Unsurprisingly, Jacques knows the owner. When we arrived, the manager brought over two flutes of champagne — from Jacques Pepin. Sigh.

Just then, Mike pinched me. But then, he does that from time to time anyway.

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Salade Niçoise

I first encountered Salade Niçoise in a romance novel, when a beautiful protagonist perched at a table under a striped umbrella on an immaculate beach in Cannes waiting for a murky character. The server brought her a bracingly cold glass of chablis and a crisp Salade Niçoise. At this point, the author abandoned the entire plot to wax poetically about the pungent olives, crisp green beans and plump tomatoes for at least two pages. I don’t know what happened to the character. I put down the book and picked up The French Chef by Julia Child. Age 14, I made it sans anchovies and with green olives a couple of days later. At age 34, while living in London, I fled to Cannes for the weekend alone for the sole purpose of recreating that scene. As I sat under a striped umbrella, alone with a glass of wine waiting for my salad, I wondered whatever happened in that book?

In the heat of summer, or what passes for it in the Northwest, Salade Niçoise is one of my go-to dishes. Tomatoes, green beans and greens are fresh and plentiful and the rest of the dish comes from the fridge or pantry, namely eggs, olives, capers, anchovies and canned tuna.

However, the latter is a point of contention. There’s a raging debate about the use of fresh versus canned fish. Even Dorie Greenspan writes in Around My French Table that a French friend implored that she “not go all modern and use fresh tuna.” The second line of my notes on the dish from Le Cordon Bleu read: “Always canned tuna, packed in oil.” (I think it was The Gray Chef from Sharper, a culinary purist.)

Auguste Escoffier, the man who codified French cuisine described the dish as “equal quantities string beans, potato dice and quartered tomatoes. Decorate with capers, pitted olives and anchovy fillets. Season with oil and vinegar.” Note the glaring lack of tuna, canned or otherwise, in the description. Another point of contention: Should the ingredients be cordoned off into ghettos, the green beans to one side, the potatoes to another? Escoffier generously allowed that the arrangement of vegetables were “subject to no rules, merely a matter of taste.” I mix it up.

When tuna is the star, don’t reach for Starkist. Splurge on a Mediterranean variety, or better yet, a sustainably caught albacore such as the brand I use here in Seattle from the fishing boat St. Jude. After years of making and eating Salade Niçoise in several countries, I’ve come down to this variation on Julia’s classic. Nothing wrecks this salad faster than bland, cold potatoes, so I prefer the classic approach to flavor them in their own right first as a potato salad (photo right). Escoffier didn’t mention lettuce, either. I’m partial to a simple butter lettuce or a fresh arugula. The latter has some bite which adds depth to the salad. I’m sure that’s going to get me into trouble with the purists.

Salade Niçoise

Serves four as a main course.

Thyme-lemon vinaigrette
1/2 cup olive oil
2 tablespoon fresh lemon juice
1 teaspoon mustard
1 teaspoon dried thyme
Coarse salt, ground black pepper

Potato Salad
1 lb. Yukon gold or new potatoes, quartered
2 tablespoons dry white wine
2 tablespoons chicken stock
2 tablespoons chopped parsley
1 tablespoon minced shallot

salad components
1 cup, about 6 ounces, cooked green beans
1 cup halved cherry tomatoes
4 ounces butter lettuce, arugula or other simple greens
1/2 cup pitted black olives, such as kalamata or Niçoise
3 or 4 hard-boiled eggs, roughly chopped or quartered
12 anchovy fillets
7 oz. can tuna, packed in olive oil

Prepare the vinaigrette:
 In a small bowl or jar, mix the lemon juice, olive oil, thyme, two pinches of salt, coarse ground pepper and shake or whisk together until emulsified. Set aside until needed.

Prepare the potato salad:
Steam or boil the potatoes just until tender. Cut into bite-sized pieces while still warm and toss gently with the white wine and stock. After a few minutes, toss again.Toss half the vinaigrette with the potatoes, chopped parsley and shallots.

Finish the salad:
Arrange the cooked green beans, tomatoes, lettuce, hard-boiled eggs and olives in a bowl. Toss with the vinaigrette. Arrange the elements onto four plates, top each with the anchovies and tuna.

French Tip: To keep the green beans crisp and retain bright color, boil briefly just until tender, then plunge into an ice bath.

Other Salad Nicoise recipes I like:

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Food Lust to Go

If you don’t know the amazing Nancy Pearl, let me introduce you. She’s a Seattle librarian who has translated her passion for the printed word into the bestselling “Book Lust” series.  Pearl’s books inspire everyone I know who loves to read. I suspect she’s only librarian ever to warrant an action figure.

All of this explains why I’m beyond thrilled that she included a reference to my first book in her latest title, Book Lust to Go: Recommended Reading for Travelers, Vagabonds and Dreamers which hits bookshelves today. Not only did she do me the honor of suggesting my book for those traveling to Paris, she put me in the same paragraph with my idol, Julia Child. Wow. Just wow. Here’s what she wrote:

           “Of course, one siren song that brings people to Paris is French cuisine. Julia Child’s memoir My Life in France (co-written with her nephew, Alex Prud’homme) captures this dual fascination with the city and its gustatory delights. An even more recent entry in the Paris-equals-good-food experience is Kathleen Flinn’s The Sharper Your Knife, the Less You Cry. The author attended Julia Child’s alma mater, Le Cordon Bleu, and while lovingly describing the markets and streets of Paris, invokes both the joy and terror of being a student at the famed school.”

Flipping through the rest of the book left me sighing, contemplating all the places in the world where I haven’t been. It’s been years since our adventure in Paris. After I turn in the manuscript for my second book later this month, it might be time for another one.

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Happy Birthday, Julia

The Huffington Post collected a series of images and video clips of the late Julia Child in honor of what would have been her 98th birthday. Among the video clips are some classics, including an introduction to various kinds of chicken, her moment burning food on The French Chef, an appearance on David Letterman and even her thoughts on french fries.  Bon Appetit.

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Bullshit, revisited

Last week, video of Michael Ruhlman calling “bullshit” on people’s claim that they don’t have time to cook made waves online. The exchange started when IACP panelists Karen Page and Andrew Dornenburg confessed that even though they’re highly visible food writers, they sometimes use a favorite packaged sauce to speed up dinnertime. The panel was titled “The Death of Recipes?” and in a disclosure moment I should confess the inflammatory title was mine, since I helped put the panel together and engineered all the panelists on the stage along with Amy Sherman.

These few moments of exchange were my original aim. Does a confident cook need recipes, or just structure? Is a recipe meant to be blueprint or could cocktail napkin-style conceptualizing suffice? Or, sure recipes remain relevant, but does the world need 739,000 Google hits for the term “tuna casserole recipe?”

In a subsequent piece on The Huffington Post, Ruhlman clarifies that he wasn’t saying bullshit to Page and Dornenburg, but to the notion that people “don’t have time to cook” in general.

Ruhlman wrote: “I wasn’t responding to Karen Page personally–she was simply voicing what everyone seems to believe and propagate: that we all lead such busy lives that we have no time to cook. To repeat: bullshit. Maybe you don’t like to cook, maybe you’re too lazy to cook, maybe you’d rather watch television or garden, I don’t know and I don’t care, but don’t tell me you’re too busy to cook. We all have the same hours every day, and we all choose how to use them. Working 12-hour days is a choice.”

The premise of his piece is that whenever food writers advocate “30-minute meals,” they subtly help to relay a clandestine message on behalf of big food conglomerates. Namely, that people need their processed foods since we’re all so terribly busy.

I agree with Ruhlman on this. As part of research for my next book, I’ve been going into people’s homes to learn what lurks in their pantry and how they truly feel about cooking. I find that much of people’s thoughts that they are too busy to cook comes from a perceived lack of time, rather than an actual time crunch so extreme that there’s simply absolutely no time to cook.

There’s an odd concept that to spend time cooking is to waste time. Why? With food everywhere, you don’t need to cook.  To some people, making a cake from scratch would be akin to washing clothes in a river. A student in one of my writing classes told me she lent a friend her beloved copy of Pierre Franey’s classic The 60-Minute Gourmet. To which her incredulous friend replied, “You’re kidding, right? You expect me to spend a whole hour on dinner?”

But as Ruhlman notes, time spent in general is a choice. I have a friend who works full-time and has two kids who have soccer practice three times a week. She used to stand watching along with lots of other bored parents, and then take them to McDonalds for dinner afterward. When she swore off fast food after seeing the film “Food Inc.” she scoured her schedule and found that “soccer practice was five hours a week, easy.” She arranged for a friend to ferry them there and back. 

“I decided that the best thing I can do with that time is make them a good dinner rather than stand on the sidelines, watching them run drills,” she said. “It works out for both of us. I just make extra of whatever I’m doing for dinner and give it to my friend when she drops them off.”  

But she’s lucky that she had the ability to make that choice. Not everyone does. Beyond time, the reasons why people aren’t cooking often evolve into something more complex. Among them is what I refer to as ”the will to cook.” It’s the mental challenge of focusing mental and physical energy on the task of cooking. We live in a complex world, and I know that at the end of the day, I’m weary from stimulus. That’s the space where processed, takeout and fast food appears most appetizing — and where food companies strike hardest to maximize profits. They aren’t marketed as “convenience foods” for nothing. “Oh, I’m so tired, it will be easier to stop at the drive-thru.” Such thinking if why some fast food chains such as Taco Bell sell 65% of their food through a sliding window.

Or, another common scenario. A person opens a cupboard and pulls out a box of pasta mix. “Oh, I worked hard and need to relax. This will be easier and cheaper than cooking pasta from scratch.” Let’s take one product, Parmesan Cheese flavor from Pasta-a-Roni. It’s meant to approximate the flavor of pasta tossed with olive oil and Parmesan cheese. It contains 28 ingredients.  On top fo that, it requires adding milk and margarine to cooked pasta.

What’s the realm of modern food writing needs isn’t more quick recipes but more basic consumer reporting. Pasta Roni costs $1.89 at my local Safeway. Sounds cheap, right? It equals $4.88 a pound for pasta, dried cheese and some chemicals. By contrast, the store’s brand of organic whole wheat pasta is 89 cents a pound. 

As Ruhlman states, if you love this product and your life is great, fine. But with high sodium, low fiber and low in other nutrients, it’s not a terrific food choice if you’re overweight like two-thirds of Americans or suffer from high blood pressure like 35%.

 We need to focus more on encouraging people to think about their food choices. We should make more of an effort to convince people if they have the time to make pasta and add milk and butter, they have time to make it themselves.

Even in her day, Julia Child fought the war of convenience food. She was advocating technique and whole foods even as the well-intentioned Poppy Cannon went around waving her can opener. She persevered. She influenced, inspired and educated.

In my research, I’ve listened to stories of frustration, self-doubt and guilt over not being able to cook. Getting people to cook more lies less in diminished cooking times and more in promoting confidence and knowledge. That’s what I think Jamie Oliver is attempting in his Food Revolution. To me, that’s the story.

Selling people processed food — basically dressed up army rations — requires the food industry to continually sell people the idea that they have neither the time or skill to feed themselves. This results in everything from factual slights of hand to bald-faced lies. After all, this is the industry that claims Sugar Corn Pops can be “part of a nutritious breakfast” and Doritos are “heart healthy.”

Food writers can help counter all this disinformation. We need to help re-educate a nation of potential cooks who have lost their way to the kitchen. There’s one important point in all of this that’s squarely in line with Ruhlman’s argument, even if it isn’t obvious. Namely, cooking for yourself  frees you from being taken advantage of by The Man. Everyone loves that.

“Hey, you there, are you happy allowing faceless multi-national conglomerates to feed you? The same companies so interested in their bottom line that they have sold you tainted milk from China, laced foods with pesticides and carcinogenic food additives? Did you know that even though it seems cheap, a lot of processed food is significantly more expensive and also damaging to the environment? Did you know that big food companies invest in health care companies? Will you feel as good about that $1.50 can of tuna once you know that they’re being hunted to extinction?”

In her keynote at IACP, Ruth Reichl noted that each of us has power to wield over companies. “You get to vote for a president only once every four years. But you vote with your dollar every meal, every day.”

My call to action for food writers, including food bloggers, is call bullshit on food companies more often. Ask harder questions. Be better reporters. Wrest yourself from what I call “the Foodie Bubble.” Don’t wax poetic on ramps and perfect peaches at the farmer’s market. Start spending time watching real people shop in your local supermarket. Hundreds of stories lie in those middle aisles.

Our goal should be to help more people decide for themselves that they don’t want their dinners to come from the fast food lane or the frozen food aisle. All are worthy goals, no matter how long it takes to spread the word.

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IACP recap

OK, it wasn't this sunny in Portland

Honestly, my week at the International Association of Culinary Professionals conference was a bit of a blur. I had spent nearly eight months helping to plan it. When I saw the printed schedule, it reminded me of that surreal moment when I first saw my book in a store. Then, we were off.

My conference started with a morning writing session with famed coach Crescrent Dragonwagon. Somehow, I got teamed up with sausage maker Bruce Aidells, who clearly didn’t remember meeting me at The Greenbrier years ago. We had an animated conversation about knives, reminding me that I love butchers.

After that, I was on the clock. I spent nearly four hours teaching a roomful of people about social media Wednesday afternoon with Lia Huber. During the day on Thursday, I helped manage Pitch-o-Rama, a panel of editors who listen to pitches and offer feedback featuring Joe Yonan from The Washington Post, Beverly von Biel from Bon Appetit, Laurie Buckle from Fine Cooking, Silvana Nardone from Everyday With Rachel Ray and Martha Holmberg, most recently food editor at The Oregonian. When we repeated that session as part of Night Owl session on Friday night, only a handful of people showed up. We ended up in a hotel suite with wine until midnight, talking about stories and ideas.

Me and Mrs. Jones

The biggest highlight (and the only lowlight) for me was on Friday morning when I led a session titled PBS Now & Then.  I”d been up until nearly 2 a.m. at a midnight dinner thrown by the notorious Michael Hebb. First up was a screening of Ruth Reichl’s show Gourmet Adventures with Ruth. Everything started fine — and the DVD stuck. It started. It stuck. With 150 people and Reichl in the room. After it finally played, her mic wouldn’t work during the Q&A. Completely mortifying. Fortunately, she’s a pro. She talked about behind-the-scenes stuff while the AV guy helped me with the DVD and talked loud during the discussion.

The technical issues were solved by the time Judith Jones showed up for her turn discussing Julia Child’s work on The French Chef and The Way to Cook DVD series, the latter of which she helped produce. Judith and I stood up, showed scenes and offered dualing Julia Child impersonations. Judith was warm, open and quite funny. I’ll upload the dodgy video that we got of the session soon.

Nimitt, me, Sheri & Barnaby (Foodista), Aasif

The week ended with the IACP Foodista Food Film Festival. I helped to organize and as a result, ended up hanging around with Aasif Mandvi from The Daily Show and his producer, Nimmit Mankad. At midnight on Saturday, the audience roared approval of their film, “Today’s Special,” with a standing ovation for the feel-good food comedy, officially ending the conference on high note.

It also provided me with my favorite quote of the conference. “Wow, that movie was so realistic that I could actually smell Indian food,” a woman told me. I then directed her to the makeshift midnight curry buffet that we’d set up in the back of the room…

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I’ll be in Portland this week for the annual International Association of Culinary Professionals (IACP) conference. If you’re heading the conference, look me up. I’ll be helping to host the first-time attendee session at noon on Wednesday, plus a hands-on social networking session that afternoon. Thursday is a blur of activity, but if you’re here be sure not to miss the opening session, and later “The Death of Recipes” with Michael Ruhlman, Andrew Dornenberg and Karen Page. The other hot session that I’ll be helping with on Thursday is the sold-out demonstration/discussion with famed food stylist Susan Spungen titled “Messy is the New Black.”

There are still a few spaces for a cool morning of dual sessions I developed called “PBS Now And Then.” First, we’ll show an episode of “Gourmet Adventures with Ruth” starring famed food writer Ruth Reichl. After the screening, I’ll lead a question-and-answer session with the audience and via Twitter

At 10:30, Judith Jones will take the stage. Judith was Julia Child’s lifetime editor at Knopf, and is herself something of a culinary icon. We’ll be airing scenes from “The French Chef” and “The Way To Cook,” with Judith offering commentary as we go along. Afterward, she will also take questions from the audience. I’m pretty psyched about both, but there’s something special about the Judith lineup. Maybe it’s just my enduring fondness for Julia Child.

If you’re in Portland but not attending the conference, come check out the Culinary Book Fair from 1:30 to 3:30 p.m. It’s the only place where you can meet up with 50-plus cookbook and food writers in one place — including me — all for just $10 admission.

Finally the week will end with IACP’s first-ever food film festival, hosted in conjunction with Foodista.com. You can read all about it here. Admission to each film is $10 whether you’re attending the conference or just a member of the public, and each will have a great questions-and-answers panel afterward. I’m excited to meet Aasif Mandvi from The Daily Show myself…

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